RESEARCH PLATFORM | WORKSHOPS | COURSES | MASTERCLASSES
PAS | 78 "SITE EFFECT"
14. – 21. August 2022 – Görlitz (Germany) and Zgorzelec (Poland)
An 8-day learning program on site-specific and time-specific Performance Art practice in collaboration with STRE!FEN Performance Art Festival in Görlitz (Germany) and Zgorzelec (Poland).
Led by the PAS | Team: BBB Johannes Deimling, Laurence Beaudoin Morin and Monika Deimling
Regular fee: € 310 (Price does NOT include travel and accommodation costs)
Early bird price: € 250 for registrations until 1. July 2022.
PRICE & APPLICATION DEADLINE
PARTICIPATION FEE: € 310 (Price does NOT include travel and accommodation costs)
EARLY BIRD PRICE: € 250 for registrations until 1 July 2022 (Limited places for this price)
CLOSING DATE FOR APPLICATIONS: 31. July 2022 (or earlier if the classes are full)
Maximum 12 participants
14 August 2022: official start 10:00, place to be announced
14 – 20 August 2022: practical studies and research in both border cities
20 August 2022: final presentation (throughout the whole day at different locations in the cities)
21 August 2022: reflection, brunch and closing day, departure (15:00)
- pedagogical, artistic and technical guidance of experienced artist and performance art professor BBB Johannes Deimling with Canadian artist Laurence Beaudoin Morin and Polish artist Monika Deimling
- exploring performance art through a variety of unique performative exercises, experiments, games and assignments
- collaborating with other like-minded people with different experiences, backgrounds and nationalities
- program adjusted to the group dynamics and individual needs
- contacts with artists, curators and art institutions
- final public presentation in Görlitz-Zgorzelec (Germany/Poland)
- photo documentation by Monika Deimling and video documentation of the final presentation
- process publication, documenting the whole research study including the public performances
- tons of inspiration, practical and theoretical knowledge, new experiences
- and many more that is dependent on your engagement
CONCEPT "SITE EFFECT"
For the third time PAS is collaborating with the STRE!FEN Performance Art Festival in Görlitz and Zgorzelec. After two successful PAS studies in 2020 and 2021 we continue the bonds and exchange that we have established to deepen site-specific performance art research.
Click here to see the process publication of PAS #74 | “SITE SEEING” in 2021
Click here to see the festival catalog of STRE!FEN 2021
The main topic of the collaboration between PAS | Performance Art Studies and STRE!FEN is the site-specific approach to performance art practice, theory and philosophy. Since the start of this collaboration each PAS | Study is researching urban spaces on both sides of the German-Polish border urban spaces that would create a resonance through performance art.
With “SITE-EFFECT” we want to examine the possibilities of urban sites and spaces through performance that would influence the surrounding of a chosen site. The aim is to extend the impact of an action in urban spaces that can be understood as a trigger to provoke artistic side effects.
- The city is the ‘classroom’
The focus of PAS #78 | “SITE EFFECT” is the site-specific and time-specific approach of performance art practice, theory and philosophy. The border cities Görlitz (Germany) and Zgorzelec (Poland) will be our classroom and the center of attention for the site-specific artistic research which will lead to public performances at different spots in the cities – on both sides of the border. We will explore and discover the border cities by bike and by foot and research its historic, political, architectural and social potential for performance art purpose.
- Site-specific performance art
“If you work site-specific, you need to be very specific with the site” (BBB Johannes Deimling)
The term site-specific describes artistic production in close relation with a physical site. Since its appearance in performance art the term “site-specific performance” has influenced and inspired performance art practice and theory until today.
One could state that each performance work is site-specific since it is always happening in a spatial context and corresponding in one way or the other with the surrounding in which it appears. This thought is supported by the fact that our human body is not able to leave space since it surrounds us the moment we start growing in the uterus.
But the term “site-specific” describes not only a form or state of being but more a working method, a research practice which resonates in so many fields alongside the arts: ecology, humanity, history, politics, time, etc. The spatial context, the site-specific aspect of artistic production, presentation and perception is a reservoir of diverse and – it seems – endless artistic potential to create site related artworks.
The site-specific research is strongly connected to time. A performance will look different in a context of time that goes as far as the site-specific research. It is not only the context to the current situation, but also very profound aspects like day and night or summer and winter or any other connection that time can build in cooperation with a space. The dialogue between site and time will generate vivid artistic research that will create strong and responding performance art works.
The German word “Streifen” means stripe, but also to touch, to graze, to roam, to swipe and combines a lot of other sensual meanings. STRE!FEN stands in its meanings firstly for the abstract form, which can be space, border and connection at the same time, secondly for the light, gentle touch and thirdly for the unintentional but exploratory movement. A special space. A special contact. A special movement.
The various meanings of the word “Streifen/streifen” will be the method of our artistic research. Görlitz and Zgorzelec are used as an art space, we work in the social, cultural and political context of the city, we deal with local conditions and structures, architecture, history and above all – with the people.
The border between Görlitz and Zgorzelec is marked by a river (Neiße) a moving stripe which is a contact point, gentle and careful, sometimes unintentional, a sensing, exploring and a first perception of another existence. How do we meet each other? How do we go on? Are we curious about each other?
PAS | TEAM FOR this program
BBB Johannes Deimling as a teacher
Visual artist working with performance art, film, drawing and sound. He is the founder and artistic director of PAS | Performance Art Studies.
Laurence Beaudoin Morin as a co-teacher
Visual artist working with performance art, painting and video. She is teacher and researcher of PAS | Performance Art Studies.
Monika Deimling as a critical observer and photographer
Visual artist working with photography, embroidery and film. She is a creative manager and photographer of PAS | Performance Art Studies.
FEEDBACK FROM PARTICIPANTS
By Farnoosh A. Nik
“You managed somehow to ACTIVATE my creative spirit and provided the opportunity to expose it to others and to hear from them and to look into other’s mind and to WATCH ACTIVELY and to LISTEN RESPONSIVELY which are amazing skills that I forgot I have and I forgot to pleasure them.“
By Kevin Meehan
“I very very very much appreciated the “there is no wrong or right” motto and you sticking to it! I have heard these very words from other teachers and then very quickly it is revealed that there is in fact a “wrong”. But throughout the PAS Study I felt a growing freedom, a deeper confidence, and a respect for my gut impulses.”
By Veronika Merklein
“And there it was: “Trust your image, your action, yourself!”. PAS empowered me to take MY (performance) art more serious, called my attention to the structures of performances, co-performers in performances and especially really precisely to materials and objects. All in all, I learnt a general attentiveness and it gave me the needed boost to grow up and risk.” – (Veronika Merklein)
For more feedback visit this page.
In the case of cancelling the confirmed spot, the Participant is entitled to a full refund, if PAS | Performance Art Studies receives a notice about it via email, 14 days before the program. If the notice is shorter than 14 days before the program, the fee is going to be returned only if a replacement is found.
If the program is cancelled by PAS | Performance Art Studies, the Participant receives a full refund of the fee.
– How to register?
Please fill the form to register for the classes: here. Wait for the confirmation, transfer the fee and you are ready to go.
– I registered but didn’t cover the fee. Is my workshop spot reserved?
Unfortunately not, your place is fully booked only when you cover the fee.
– I am interested in Performance Art but have not much experience, can I take these classes?
Of course, you can, moreover, you should 😉 The PAS teaching method is structured in a way, that no matter what stage you are in you will gain from the process and can further develop your interests.
-I am already an experienced performance artist, will I learn anything new?
Yes, you will, under one condition – you will attend the class with full dedication 😉
– I would need a letter to apply for covering my participation fee. Can you provide such a letter?
No problem with that. You just need to provide us with some details and we can send you the letter.
– Can I apply for a scholarship?
Unfortunately, we cannot provide scholarships. We can support you by sending invitation letters if you want to apply for some grants.
– I am an art student at a university. Is it possible that my whole class takes part in this course?
Yes, reach out to us and we will help you with further steps.
Were your questions still not answered? Write us an email: firstname.lastname@example.org
- Fill the application form below.
- Wait for our confirmation.
- Transfer the fee.
PAS | APPLICATION FORM
In case you cannot see the application form above, click here.