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PAS | 76 "Distorted Horizon"
- – 10 July 2022 – Kraków, Poland
A 7-day learning program on performance art in urban spaces in collaboration with KTO teatr, Kraków, Poland with a public presentation day at old market square in Kraków.
Led by BBB Johannes Deimling
Regular fee: € 350 (Price includes accommodation and meals, but not travel costs)
For the locals living in Poland: € 250
PRICE & APPLICATION DEADLINE
PARTICIPATION FEE: € 350 regular fee / €250 for the locals (Price includes accommodation and meals, but not travel costs)
1 SPOT LEFT: apply below
Maximum 6 places for international participants.
5 July 2022: official start 10:00 at KTO teatr (Jana Zamoyskiego 50, 30-523 Kraków)
5 – 9 July 2022: practical studies and research in the city of Kraków
9 July 2022: final presentation (throughout the whole day at old market square in Kraków)
10 July 2022: reflection, brunch and closing day, departure (15:00)
- pedagogical, artistic and technical guidance of experienced artist and performance art professor BBB Johannes Deimling
- exploring performance art through a variety of unique performative exercises, experiments, games and assignments
- collaborating with other like-minded people with different experiences, backgrounds and nationalities
- program adjusted to the group dynamics and individual needs
- contacts with artists, curators and art institutions
- final public presentation on the old market square in Kraków
- photo documentation by Monika Deimling and video documentation of the final presentation
- process publication, documenting the whole research study including the public performances
- tons of inspiration, practical and theoretical knowledge, new experiences
- and many more that is dependent on your engagement
CONCEPT "DISTORTED HORIZON"
If we are lost in a city, we take our phone and check our location, type the place where we want to end up and just follow the proposed instructions. To reach our destination is often more important than the way itself, so we stick to the lines on the map and navigate through the city labyrinth. And we can assume that we are not the only ones walking in this way. Others might not need these maps anymore, because they know their ways and even shortcuts. And a cat moves very individually through the city like humans would probably not do.
A horizon is often described romantically as something wide and open, something far away and something unreachable. But even in the city we have horizons, and they change by each turn we take and every step we go further. It is often close and shifts due to the movement inside the city architecture. The city horizon seems to be reachable, and we know that another horizon opens up the closer we approach it.
When we walk down the street, the lived reality deviates from what we can see on our screen or on the city map. While we roam around in the city, we leave traces of our presence behind and discover with each step the space in front of us. A particular atmosphere is created by the rhythms of the steps, the crossings, the stops, the detours, the gatherings. A sound texture made of snippets of conversations and horns, a hole in the sidewalk or a puddle to go around, a prohibition sign or an attractive shop window come to inform our experience of the city. They distort our horizons. In the distortion is the experience of the city and it’s personal and collective appropriation.
Distortion is the alteration of the original shape of something, such as an object or a situation. In the art world, a distortion is any change made by an artist to the size, shape, or visual character of a form to express an idea, convey a feeling or enhance visual impact.
In PAS #76 | “Distorted Horizon”, we will explore the city from an angle that is between specific locations: what is happening in transit, on our way and how we can use these observations to create performance art works that are focusing on the personal horizons of the people and their transition movements. We try to capture the energy that runs through the streets and reveal a surprising, captivating, and rich dialogue with the urbanity.
Based on this research we will present our final performance in the heart of the city Krakow: On the old market square where all these aspects are condensed in one place. The performances will question how we can we contribute with a distortion to attract attention and how to establish an artistic dialogue.
PAS | TEAM FOR THIS PROGRAM
BBB Johannes Deimling as a teacher
Visual artist working with performance art, film, drawing and sound. He is the founder and artistic director of PAS | Performance Art Studies.
Monika Deimling as a critical observer and photographer
Visual artist working with photography, embroidery and film. She is a creative manager and photographer of PAS | Performance Art Studies.
FEEDBACK FROM PARTICIPANTS
By Farnoosh A. Nik
“You managed somehow to ACTIVATE my creative spirit and provided the opportunity to expose it to others and to hear from them and to look into other’s mind and to WATCH ACTIVELY and to LISTEN RESPONSIVELY which are amazing skills that I forgot I have and I forgot to pleasure them.“
By Kevin Meehan
“I very very very much appreciated the “there is no wrong or right” motto and you sticking to it! I have heard these very words from other teachers and then very quickly it is revealed that there is in fact a “wrong”. But throughout the PAS Study I felt a growing freedom, a deeper confidence, and a respect for my gut impulses.”
By Veronika Merklein
“And there it was: “Trust your image, your action, yourself!”. PAS empowered me to take MY (performance) art more serious, called my attention to the structures of performances, co-performers in performances and especially really precisely to materials and objects. All in all, I learnt a general attentiveness and it gave me the needed boost to grow up and risk.” – (Veronika Merklein)
For more feedback visit this page.
In the case of cancelling the confirmed spot, the Participant is entitled to a full refund, if PAS | Performance Art Studies receives a notice about it via email, 14 days before the program. If the notice is shorter than 14 days before the program, the fee is going to be returned only if a replacement is found.
If the program is cancelled by PAS | Performance Art Studies, the Participant receives a full refund of the fee.
– How to register?
Please fill the form to register for the classes: here. Wait for the confirmation, transfer the fee and you are ready to go.
– I registered but didn’t cover the fee. Is my workshop spot reserved?
Unfortunately not, your place is fully booked only when you cover the fee.
– I am interested in Performance Art but have not much experience, can I take these classes?
Of course, you can, moreover, you should 😉 The PAS teaching method is structured in a way, that no matter what stage you are in you will gain from the process and can further develop your interests.
-I am already an experienced performance artist, will I learn anything new?
Yes, you will, under one condition – you will attend the class with full dedication 😉
– I would need a letter to apply for covering my participation fee. Can you provide such a letter?
No problem with that. You just need to provide us with some details and we can send you the letter.
– Can I apply for a scholarship?
Unfortunately, we cannot provide scholarships. We can support you by sending invitation letters if you want to apply for some grants.
– I am an art student at a university. Is it possible that my whole class takes part in this course?
Yes, reach out to us and we will help you with further steps.
Were your questions still not answered? Write us an email: firstname.lastname@example.org
- Fill the application form below.
- Wait for our confirmation.
- Transfer the fee.
PAS | APPLICATION FORM
In case you cannot see the application form above, click here.